• Tuesday July 14,2020


We explain to you what impressionism is, how is its historical context and its characteristics. In addition, the representatives and the impressionist art.

Impressionism was trying to paint the light at the exact moment they were watching the world.
  1. What is impressionism?

One of the main artistic movements of the nineteenth century is known as impressionism, especially in the genre of painting, which aspired to reproduce in its works the vital impresi n of the world around him, that is, he tried to paint the light at the exact moment they were observing the world. In this, he broke up with his predecessors, who favored full and identifiable figures and was a key movement in the development of the arts in Europe - and especially in France - and laid the foundations for later movements like post-impressionism and the avant-garde.

The name of impressionist was also used for other arts, such as music or literature, or also sculpture and architecture, although its defining features are quite particular to the painting. This is possible because the philosophy of impressionism could be interpreted as an effort to imitate reality and, in any case, to conceive of art as the result of a rational process, something that went from hand of positivism, a doctrine of thought that prevailed in bourgeois society of the nineteenth century.

The precepts of Impressionism were the object of opposition on the part of Expressionism, born at the end of the 19th century as a reaction in favor of artistic subjectivity and the internal expressive needs of the human being.

See also: Cubism.

  1. Historical context of impressionism

Édouard Manet laid the foundation for the rise of impressionism.

The term "impressionist" is attributed to the French art critic Louis Leroy, who would have used it disparagingly, in front of a Monet painting called Impression, Rising Sun (1873), exposed next to the paintings of other young artists in the Paris Independent Artists Hall between April and May 1874. Playing with the title of the painting, Leroy attacked in the press against the thirty-nine “impressionist painters” exposed, naming the movement without knowing it.

However, impressionism enjoyed acceptance in the European artistic circuits of the time. The Paris of the time was a place of artistic pilgrimage for all of Europe, and there were numerous universal exhibitions, so the movement was born at the very center of the art of the moment.

It had as precursors to the romantic English landscape designers of the early nineteenth century, for whom scenes that transcended the form were frequent, such as JM William Turner and John Constable. However, it will be Édouard Manet who properly feels the basis for the emergence of impressionism.

  1. Impressionism characteristics

The open panoramas allowed the fair of light and colors for the pictorial methods.

Impressionism aspired to capture the light in his paintings, by combining colors and brushstrokes, instead of shapes and silhouettes. The impressionist brushstroke, later baptized as "gestalt brushstroke", was short and used pure colors, regardless of whether they were not relevant to the real model alone, since once the image was completed, the work could be perceived globally and thus reproduce a whole well defined, very bright and vibrant. This technique would later inspire neo-impressionists or pointillists.

Another of the advances of impressionism was the creation of new pigments to obtain purer colors . Thanks to this, the painters were able to rethink many color laws of the time, understanding the color in relation to their companions and the contrast they generate with them. That is why the impressionists played shadow games breaking the usual chiaroscuro dynamics, in favor of shadows made with complementary colors that gave the work greater depth.

Similarly, the Impressionists relegated the form to the background, preferring to explore the landscapes instead. The open panoramas allowed the fair of light and colors for their pictorial methods.

  1. Representatives of Impressionism

The main representatives of Impressionism were:

  • Édouard Manet (1832-1883). Although never formally belonged to the group.
  • Edgar Degas (1834-1917). Founding member of the group.
  • Claude Monet (1840-1926). Founding member of the group.
  • Pierre-Auguste Renoir (1841-1919). Founding member of the group.
  • Berthe Morisot (1841-1895). Also founder of the group.
  • Francesco Filippini (1841-1870). Founder of Italian impressionism.
  1. Impressionism paintings

Print: Rising Sun was painted by Claude Monet in 1873.

Some recognized impressionist paintings are the following:

  • Print: Rising Sun (1873) by Claude Monet
  • The lunch of the rowers (1881) by Pierre-Auguste Renoir
  • Boulevard Montmartre at night (1897) by Camille Pissarro
  • Claude Monet's Lunch on the Grass (1866)
  • The Ballet Class (1874) of Edgar Degas
  • The Reader (1876) by Pierre-Auguste Renoir
  1. Impressionist art

The maximum representative of Impressionist music was the French Claude Debussy.

As for the impressionism in other artistic branches, it is especially worth mentioning two:

  • Impressionist music. This is the name of the musical trend born at the end of the 19th century characterized by a freer tempo, the use of modes and variations, and experimentation with the timbre, thus achieving effects never previously seen musically. Its maximum representative was the French Claude Debussy, whose works reached a dreamlike tone and sounds never heard before, and other great authors were Maurice Ravel, Erik Satie, Manuel de Falla and Albert Roussel.
  • Impressionism literature. Born in France in the second half of the nineteenth century, it emerges as a reaction against realism in the literary field, trying to reproduce in the lyrics what was achieved by impressionist painting: the primary record of sensations, suppressing intellectualizing or reflective effects of literature in favor of descriptions, the pinceladas of the characters. The maximum exponents of this trend were Octave Mirbeau and Marcel Proust, although many theatrical pieces by Anton Chekhov can be considered within the trend.
  1. Postimpressionism

This is the name of the trend that came immediately after the impressionism, at the end of the 19th century and the beginning of the 20th century, encompassing various personal styles that at the same time constituted - in the opinion of the English critic Robert Fry, creator of the term - a continuation of impressionism and a challenge to the limitations of the usual impressionist style . This style was born in London in 1910 in an exhibition of three of its most representative authors and the most acclaimed painters in history, such as Paul Cézanne, Paul Gauguin and Vincent Van Gogh.

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